Pax-Americana

Village of Bal Harbour, Florida
2012

Bal Harbour Village and Levittown, N.Y. were incorporated in 1946/1947. The post-war period throughout the U.S.A. forever changed cities being it was the  birth of the suburbs creating the landscapes we know today. The sculpture of the “American house” was three-dimensional in form but the windows, doors and slatting was an illusion created by imposing a digital facsimile creating the illusion that it was the “Cape Cod” model home from Levittown, considered to  be the first planned suburban community in the country. The Americana sign  is made of mirror finished stainless steel and was located in front of the newly  inaugurated St. Regis Bal Harbour Resort and Spa. Originally, the Americana Hotel stood on the site of the St. Regis which was designed by Morris Lapidus  who branded Miami Beach as the American Riviera and also designed: The  Fontainebleau Hotel, The Eden Roc Resort and Lincoln Road Mall.  

The Americana sign and the Levittown house created a framework of iconography that define an ideal of what is “The American Dream”. “PAX AMERICANA”  is the first artistic intervention commissioned by the Village of Bal Harbour utilizing the Village’s history and international appeal as a tourist destination for  shopping and high-end living. The house was consequently relocated and  set ablaze on March 19th, 2013 as part of the exhibit “An American Falla,” in  Bi-Centennial Park in downtown Miami.

AN AMERICAN FALLA 

March 19th, 2013 / Miami, FL

The sculpture, a scaled down version of the model home from Levittown was  transported from Bal Harbour to Bi-Centennial Park in downtown Miami that is  now been renamed Museum Park. “Levittown” was developed in response to  the imminent housing needs in the U.S. following the Second World War, President Eisenhower began developing the American Interstate Highway System  during the same period of time that Levittown was being built, this created an  urban plight to the suburbs. Ironically, sixty years later, many Americans are returning to live in “urban centers” leading many academics and scholars to ac knowledge a perceptual shift in what we consider to be the “American Dream”. 

HISTORY OF LAS FALLAS

The tradition of Las Fallas stems from the 16th Century when Spanish carpenters would perform a spring-cleaning by setting ablaze the remnants of their  workshops. On the eve of March 19th, the Feast of Saint Jospeh, wooden  sculptures whose subject matter is both political and satirical in nature are set  ablaze on honor the Patron Saint Joseph, which was celebrated as Father’s  Day and coincidentally the artist fathers Birthday.

AMERICANA

The Americana sign was first exhibited in Bal Harbour, FL as part of the “Pax Americana” installation. The sign was acquired by the Crystal Bridges of American Art in Bentonville, Arkansas as part of the exhibition “State of the Art.”

The word “AMERICANA” is a reference to a broad category of objects and symbols that are inherently “American.” including Coca-Cola, road trips, blues music, Ford cars, and the idea of the American Dream. The reflective surface of these cut-metal letters reflects not only the viewer, but the landscape beyond to indicate how the idea of America expands beyond the confines of the United States, suggesting that “Pan American culture is without borders.”